Childhood

I don’t want to write about the pandemic, so you get this instead.

/ Author Melissa Crandall / 4 Comments
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Photo by David Mark for Pixabay

I shift closer to the fire, toss on a log, make the sparks fly. It’s my night to sit up with the children that can’t sleep and I’m damned if I’ll do it cold.

I look around the circle at their pale faces made healthy-rosy by the flames. We’re worse-off than some, better than most. It’s a rare day they go with nothing in their bellies.

Back when it all went to shit, lots of people rushed for their money. Don’t know where they thought to spend it. Maybe they figured it would buy them out of this nightmare. Some hoarded and barricaded indoors and turned their backs on those in need, then acted all surprised and hurty-feeling when those others turned their backs on them in turn and let them die in the Beyond.

Me, Gwennie, and Johnny took a wagon to the library. We been friends since way-back and book lovers before that, and it was the hardest job we ever had, saying yea or nay to this book or that, judging whose words would live and whose die, pages turned to pulp by seasons of rain and snow, or burned to ash in a fire lit by some poor jamoke trying to keep warm.

We come first for the books that would get us by physically–the how-tos on gardening and repair and building and putting up food for winter, root-cellaring and the like. We went back again, this time with two wagons, and took favorite novels and a dictionary and such to put aside for those evenings when a body’s soul flickers like a Tink-candle and all but goes out.

I hold my hands to the fire. “What’s it to be, then?” I wait for the shouts, each naming a favorite story. They don’t none of them really care; they just want to be read to. So I read, the cadence of my voice rising and falling, mouse-high or bone-deep depending on the character and what I think they might sound like. The children pillow their heads on arms, old backpacks, each other. One by one, they fall away, asleep, dreaming what I hope are pleasant dreams in this often unpleasant world.

“You’re a good teacher.”

I look up. Mallachy sits across the way, cross-legged tailor fashion. I never saw him arrive, but that’s nothing unusual. He’s a quiet one, but he loves the stories as much as any of them. Next year, when he turns twelve, he’ll take his place among the readers and his turn at the fire, keeping watch against whatever’s out there that wants to extinguish the light.

I shrug in reply.

“No,” he says. “You are. They learn. You make them feel safe.”

I poke the fire. The last thing they are is safe and they know it, which is why so many of them have trouble sleeping. If they feel safe, I’m doing them a disservice. But how long can a body go on, week after month after year, feeling nothing but terrified?

“I don’t want to be too good. Bad has its place.”

He doesn’t say anything, but I can tell he doesn’t understand. I jab the sand with a stick and listen to the distant roar of breakers on the rocks beyond the dunes. One of these days, I’m walking into that surf and not coming out. Maybe tonight, because I don’t know if I can explain it the way Mallachy needs to hear. I can share what another has thought, but coming  up with my own words is a hardship.

“Look, I grew up in a place where children weren’t valued. Then I went off to school and it was more of the same. My first teacher hated kids, you could see it in her eyes. Another one physically segregated the class into the smart kids and the stupid ones. Used those words. And those of us at the stupid tables, well, we knew we weren’t stupid, but live through a year of that sort of ridicule and you come to believe it. Maybe they only hated their jobs and not us, but they certainly didn’t want to do the work of teaching. They’d rather paint us stupid so they wouldn’t have to.”

“You’re not stupid.”

“I know that. But for decades I thought I was. Too much and too many in the world painted it true, telling me over and over, no, you can’t have this good thing you want because you don’t deserve me, you’re this or you’re that and me taking it because I’d been taught it was so, and forgot the real truth hidden inside me.”

He sidles up close to the fire and stares across at me with eyes like a fox. “What changed?”

“Me.” I look past my fingers into the flames, cup my hands to hold the light. “I got mad. Furious. And so damned tired of being told no. I decided they were wrong, that they’d been wrong all along. I didn’t realize they were wrong, and I didn’t believe they were wrong. All that came later. But I made the decision they were wrong and told it to myself every day until I knew it was true.” I glance around at the sleeping children. “What I want for them is a little bit of rage to keep them warm, keep them honest and true to themselves.If I leave them with anything, it’s the knowledge that no one has the right to take the fight out of you.”

Mallachy nods. Between one eye blink and the next, he’s gone, faded back into the shadows. That’s one who sleeps soundly because he believes he has nothing to fear. But these here, they think they do.

I reach out and curl a small hand inside mine. Stretched out behind me, my years feel bigger than the Before, endless, and too damned many yet ahead.

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Copyright Melissa Crandall 2020

 

Breathing the Past

/ Author Melissa Crandall / 2 Comments

I don’t know where the old tin came from. Maybe it held cookies once upon a time, a gift to my parents. I suspect it was found in the old house when they first moved in. (A lot of things were left behind by the previous owner(s), much of it junk, but a few treasures like the full-sized pedestal mirror I still have, a handful of antique clothes irons (the sort that needs to be heated on the stove before using), a quilting frame, and old ice skates that tied on to one’s boots.)

My mom was a great one for keeping tins and reusing them; it was the Yankee in her. In our home, the adage “Use it up, wear it out, make it do or do without” was a rule to live by. An old toffee tin held bobby pins and those plastic picks to secure curlers. A large rectangular cookie tin held the curlers themselves. There was one for paperclips, one for rubber bands, one for spare bobbins for her sewing machine.

And one for my crayons.

I started drawing at an early age, and Mom encouraged it; partly for the artistic aspect, I suppose, but mostly because it kept me quiet and out of her hair. Give me enough paper and that collection of crayons and I would entertain myself for hours, and I became a purist early on. It must be Crayolas! None of those cheap crayons with their anemic colors, thank you very much! I wanted vibrancy! Ardor! Passion!

Back then, color names were sensible and understandable, none of today’s “Macaroni and Cheese,” “Neon Carrot,” “Inch Worm,” and “Timberwolf.” Instead, we had “Turquoise Blue,” “Violet,” “Melon,” and “Red Orange.” And, heck, we didn’t need names, we knew what they were, and what we wanted when we drew.

“We” here means me and my bestie, David Micklas, who I recently reconnected with (and wrote about) after something like 50 years apart. Dave and I mostly made Christmas cards together, four-square folded 8 1/2 x 11 paper drawn with reindeer, holly, snowmen, candy canes, fireplaces with stockings, trees…whatever images personified Christmas for us. I remember he also drew a lot of cars, which didn’t particular interest me, and I drew far too many horses, which likely didn’t interest him, but what was important was the act of creation and the fact that we were doing it together, often in silence, but also punctuated by bits of the sort of conversation experienced by only the very best of friends.

One year, Mom brought home a Christmas-themed coloring book, and I was over the moon! There was something special about that book – the line drawings inside were intricate, not childish, and I spent hours pouring over it, coloring in each one just so, endeavoring to stay within the lines, to create on the page what I imagined in my head. I loved that book and was sad when I’d filled it with color cover to cover. Mom hung on to it for years afterward, but it eventually went into the trash when she and Dad moved house. In fairness, she did ask if I wanted it, but I said no. I wish now I hadn’t.

Though I no longer have that much-loved book, I do still have the tin of crayons. A few are more modern, bits of color purchased for my nephews, now grown, who used the tin after I’d left my parents house. But some of the crayons are from when I was a kid. Like me, they’re a bit old and battered, their paper torn, some of them worn away to a nub. “Salmon.” “Yellow Green.” “Gray.” The coveted “Silver” and “Gold” we saved for Christmas. And precious few reds and greens, those having been sacrificed long ago to the holiday.

Every so often, I take the tin down from the shelf in my office where it lives just to lift the lid, bend down, and inhale that unique, heady odor; a big breath of the past.

“Last night I dreamt I went to Manderley again.”

/ Author Melissa Crandall / 3 Comments
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Circa early 50s

So begins the gothic novel Rebecca, written in 1938 by Dame Daphne du Maurier. My own version might begin, “Last night I dreamt of the house in Clifton Park.”

The old farmhouse on Plant Road wasn’t much to look at when my parents purchased it, the barn and garage across the road, and the surrounding acreage in the early 1950s for what was then the princely sum of ten thousand dollars. The house was old even then; how old, I don’t know although certainly in excess of one hundred years. A covered porch ran across the front in the years before I was born, ultimately torn down and a raised cement slab erected in its place. (I think Mom had some ideas of a patio, but that’s as far as it ever got and I don’t remember us using it for much of anything.) Dad and a friend, George Carley, built the chimney and fireplace that adorned the west end of the living room and became a central hub in winter, the place where we huddled on the coldest of nights.

An immense sycamore grew just outside the kitchen window, a tree so large that it took at least three adults, arms extended, to circle its trunk. It grew much too close to the house and its root system eventually invaded the foundation, slowing tearing the structure apart and precipitating my parents’ move to Saratoga. Dad hung first a tire and then a wooden-seated swing on a limb and I spent hours spinning myself to fall-down dizziness. (Mom hated the tree, with its propensity for shedding bark everywhere, but I loved it, and used the bark like parchment, scrawling messages.)

Each season in that house brings its memories: wet springs when the meadow would flood and the frogs appear; baking summers playing outdoors while Mom listened to her beloved Yankees on the radio; autumns of leaf piles made only for jumping; winters sailing down the hill out back in a metal saucer, the bottom of which Mom had polished with Pledge. (I think she harbored a secret desire to kill me; she once used Pledge on my metal slide, too. I shot down it so fast–and off the end, clearing several feet–that it scared me to tears.) I remember nights playing outdoors beyond sunset, rolling down the hill in the long grass and catching fireflies in a jar.

IMG_3122I best remember the house at Christmas, when I draped my pajamas over the hearth screen to warm before putting them on and Mom hung the cards we received against the brickwork. The fireplace had a raised marble hearthstone custom made for sitting, where I placed Santa’s plate of cookies and mug of hot chocolate on Christmas Eve. (Much later, Dad installed a matching mantelpiece that Mom festooned with garland.) The walls were an ugly pale gray/brown wallboard that Dad eventually replaced with the warm, golden glow of knotty pine. Mom was forever rearranging the furniture, so the Christmas tree might end up anywhere, so long as it wasn’t too near the fire. The windows were hung with red cellophane wreaths with electric candles, and a two-candle art deco piece I still own (which my husband is  rewiring so I can use it).

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That horrible wallboard

This was the house of my growing up; the house I was brought to after being born at Albany Medical Center in 1957; the house I learned to crawl in, then walk, then run. The house where I learned to ride a bike and enjoyed the pride of having my training wheels removed. The house where dogs and cats sprawled (and my mother once–under protest–housed a few gerbils overnight.) From there I set forth in late October to trick-or-treat with my then best friend, David Micklas, returning with plastic sacks bursting with swag. From there we set out together on bike adventures, or to roam the woods, play baseball or play pretend. On one memorable occasion we beat his older brothers, Tom and Bob, at war, ambushing poor Bob from inside a culvert that ran beneath the road, then ruthlessly hunting Tom with our plastic guns. This was home from kindergarten through high school graduation, and beyond. I married my first husband in that living room, and played with my first and second generation of nieces and nephews.

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Dad’s knotty pine

The house is gone now, torn down to make way for a Stewart’s. (For those of you unfamiliar with the franchise, it’s a chain of convenience stores.) The sycamore is still there, grand in its old age and, I hope, protected. (If the house was old, the tree is far older.) There’s a poignancy to visiting the old place in dreams, walking through those rooms. I see them so clearly, though its been well over 40 years. Each has its echo, a sound I will always hear.

 

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Circa 1970s

A Hill Runs Through It

/ Author Melissa Crandall / 2 Comments

A certain hill looms large in my memories, although it wasn’t particularly large itself.

The yard behind the house in Clifton Park, NY where I grew up (we had yards back then, rather than manicured lawns) was wide enough to contain a swing-set and a clothesline before it sloped down toward our elderly neighbor’s garden plot at about a 45-degree angle. It wasn’t a large area, but to child-me, it was the world.

In summer, clad in shorts and a sleeveless top, my mother would lounge on an ugly gray blanket and work on her tan, one eye on me and one on the mystery novel she was reading, ears tuned to the ballgame playing on the portable radio. (Go, Yankees!) My bedroom window looked out onto that hill and when my father mowed it, sheering the grass in long rows, the heavenly fragrance graced my dreams. My friends and I flung ourselves down on the crest of that  hill and, arms tucked tight, rolled to the bottom, then sat up and laughed as the world whirligig’d around us.

In fall, we did the same, the only difference being the vast pile of leaves raked into a heap at the bottom to catch us, because what’s the point of fallen eaves if you don’t jump into them? As the days grew shorter, we did our best to stretch the  hours lingering on the hill as late as possible, darting in and out of shadows, dancing in the light from the big bulb above the back door.

In winter–ah, winter!–the heavy snows packed and froze, then melted a bit and refroze, growing a crust thick enough to support my weight. In what I once thought was a bid to do me in, my mom waxed the bottom of my aluminum saucer with Pledge furniture polish and I careened down the hill, my heart in my throat, hanging on for dear life, laughing breathlessly, spinning in circlescirclescircles as I shot past the dead stalks in the neighbor’s garden and halfway up the distant embankment which, if breasted, would have landed me in the middle of Route 146. I never made it that far, the angle of the second hill being enough to turn me back the way I’d come, but it always seemed a close thing.

Spring was the hill’s quiet time, a sedate emergence from winter as brown grass slowly put out bright green shoots to match the budding iris in my dad’s flowerbeds. Games of pretend made us cowboys and Indians, and gave us horses our parents wouldn’t let us have in reality. As the evenings grew warmer, we sat on the brow of the hill, we kids, and counted the stars, pointing out the Big Dipper, the only constellation we knew at the time.

The hill is gone now, flattened in the wake of the property being sold and the house demolished. There’s a Stewart’s store where my home once stood, gas pumps where poppies grew. A few trees remain–old friends still–but nothing remains of the hill except for a ghostly outline only I can see, and the distant laughter of children.